(It’s not strictly Tuba-Euphonium, as this is trombone stuff as well.)
OK, it’s been a few weeks, the horn works great…I believe it’s time to organize my practicing better. I haven’t been able to do as much as I’d like, but once we clear the Minnesota Music Educators’ Association midwinter conference this week (and this will coincide with what I hope is the beginning of the end of winter and my 40th….gawd, my 40th…birthday), I want to force myself to get at least an hour a day on the horn(s).
So I was thinking of redoing how I practice. How does this sound?
15% of practice time: warm-up. I use long tones, the Remington warm-ups, then scales. Right now it’s majors 2 octaves (I try to do 3 on F and E), octatonics (ST) 2 octaves, and chromatic 3 octaves (C2-C5). This may expand as I include the minors and other scales.
15%: Lyrical warmup. 2 or 3 Rochuts, with one of them read in tenor clef as well. One of these days, I’m gonna work up to alto clef.
15%: Technical warmup. An Arban characteristic study or two, and some other stuff from Arban’s and possibly a Blazhevich. I’m willing to consider other things as well.
30%: Solo literature. I’d like to get a couple of concertos and about 2 hours of solo rep under my fingers within the next year. I would probably include any chamber ensemble literature as well (and good news on that front – it looks like I’m going to be in a brass quintet!).
15%: Excerpts. In case I decide to do a major ensemble. I have the Bowman/Werden euph excerpts and vol. 1 of the Brown trombone excerpts.
10%: Cool-down. Long tones, some lip slurs, some pedals.