Updates

I’ve been remiss. Last year was a tough year.

But – I have been composing and doing academic things, as well as playing. I am trying to make updates to this website as well. So let’s recap:

January 2019 – premiere of Woody Creek Breakdown in Brookings, SD by someone who has been kind enough to commission two or three pieces from me (and who is an absolute joy to work with), Tammy Evans Yonce

February 2019 – premiere (in piano reduction) of Concerto for Tuba and Orchestra here at UMM (Mike Odello on tuba, Angela Nybakke on piano); I also played on this recital, doing euphonium works by Libby Larsen and others

March 2019 – gave a talk on Morton Gould at CMS Great Plains in Cedar Rapids, IA; also, Fujin performed Urban Legends VIII: Chupacabra in Cullowhee, North Carolina

April 2019 – Rational Exuberance performed by the Fort Dodge Symphony under the direction of Joshua Barlage

May 2019 – Second-ever performance of Bedtime Story by NANOWorks in Atlanta, GA

June 2019 – Lisa Neher performed Urban Legends V: Helen in Portland, OR

What does the future hold? I’m presenting twice at the CMS National Conference in Louisville, KY in October. The orchestral version of the Concerto for Tuba will be premiered on May 17, 2020 in Alexandria, MN by the Central Lakes Symphony Orchestra (conducted by Brad Lambrecht) with Mike Odello once again on the big horn. And speaking of the CLSO – I am honored to be principal trombone with the group this year. I have not played in a concert orchestra since high school; 29 years is a long enough stretch.

I have a few other projects, too – Misty Theisen and the Asheville Modern Big Band commissioned Triple Double, a concerto-of-sorts for woodwind doubler and big band, and I just sent that off to the performers last week. Can’t wait to hear it! I am also working on getting one last Morton Gould paper off to a journal (if anyone has journal recommendations, I’m listening) and then I have a larger project on the idea of engaged music theory (based on folks like Cheng, Amrein, hooks, etc.).

Personally…I’m exercising again, which is nice. Not much, but every little bit counts, and I’m consistent about it – six days a week, without fail. I’m practicing again too. Being a performer makes me a better composer, theorist, and teacher.

It’s good to be back. I’ll try to do this more often.

WF