Act III, scene 2 is almost done. I’ve done a few cuts to Dave’s libretto, but might add some back. I want to make sure Louisa Catherine Adams gets a really good and substantial aria. Right now, she has maybe 2/3 of one. So I need to do some more reading and thinking.
Next will be Act III, scene 1, in which we finally hear directly from Andrew Jackson. That’s going to be fun to write, as I genuinely hate this guy and his fanboys.
I’ve noticed some trends in my writing. I love to use what David Lewin termed the SLIDE operation (keeping the third of a chord constant while changing the root and quality – think, say, C major to C-sharp minor) as well as moving a melody by thirds but keeping the same function (A-flat in F minor moves to F in D minor, etc.). Neo-Riemannians will appreciate those. I always want a melody that could, if necessary, soar – an opera lives and dies on the tunes, after all.
We’re traveling the next couple of weeks, but I’m bringing the laptop and sketchbooks. I hope to be able to finished Act III in, oh, a month or thereabouts. Dave assures me the libretto for Act II is en route.
Have fun, everyone.