Since Act III, scene 1 uses two pieces of pre-existing music (“Auld Lang Syne” and “The Hunters of Kentucky”), I got out of the sketchbook a little. I decided to do most of this part directly into Finale. It’s coming along. I have about 3 minutes typeset. The example below is a bit of the chorus work as Jackson is entering the scene.
The thing about this opera is it doesn’t have a ton of traditional arias. The closest bits – extended solo/duet sections – would be the Poem Duet and Symmes explaining his plans in Act I, the Queen’s welcome and Symmes’ defense of his crewman in Act II, and Jackson’s inaugural party speech and Louisa’s exhortation to Adams in Act III. Act II features some choral work and choreography, but the chorus (now including a children’s chorus, because we’re already over budget; go big or go home!) is featured most in Act III.
John Cleves Symmes is the only major character in all three acts. John Quincy Adams and Louisa Catherine Adams are in Acts I and III, Queen Ordagova of the Subterraneans is in Acts II and III, and Andrew Jackson only appears in Act III. Symmes is arguably the protagonist (the journey is his idea, after all), but JQA is the moral center of the opera.
This is all a little overwhelming, but I have truly enjoyed the chance to just be a composer again. I even reconnected with one of my teachers (Samuel Adler) recently just because I’ve spent so much time composing. It feels good. I should do this more often. Between the two concertos, the trombone quartet, the Emily Vieweg works, and this, I’m having the time of my professional life.