Another bit of block, this time because of the subject matter.
Look, anyone who knows me knows my politics. I don’t hide them. (In the classroom I am scrupulously apolitical in the electoral sense, but I also encourage discussion about the political nature of music theory. Remember that politics does not automatically mean electoral politics – it is simply how humans engage with each other on issues that affect entire groups.) Andrew Jackson was, to put it charitably, a genocidal maniac. My librettist (the incomparable David Cole) saw certain parallels with recent events. The last line of Jackson’s big aria is “make America great once again!”
Reader, I didn’t have the music for that in me. I tried. Rejected 5-7 settings.
So he’s shouting it.
I look forward to getting everyone’s reactions to the arc of this scene, how it goes from broad humor and folk tunes to something unabashedly sinister. In many ways it is the polar (ha, if you know Hollow Earth theory) opposite of Act II, scene 2, which shows humanity at its best in the form of Symmes offering his own life and freedom in the stead of a crewman.
We’re getting there. I won’t have the whole thing done (including chamber orchestration) by July 24 like I wanted, but that’s alright. Honestly, all I need to have done is the vocal score by January for what I hope is a June workshop. (Hey, if any opera impresarios are reading this and wanna workshop it, drop me a note! Otherwise, I’ll do it myself.)
In other news, went down to Minneapolis this week for the OPERA America conference. Learned a few things, met a couple of people, and then my introversion and impostor syndrome kicked in. Still glad I went.
Further bulletins as events warrant.