(Does anyone blog anymore?)
This ought to be fun.
Since I don’t have any immediate compositional projects (the last three were the opera Bedtime Story, Vegas Vespers, and the solo violin suite pARTita), I decided to stretch out a little bit and challenge myself to write for instruments for which I have not yet written. The first fruits of this project have already appeared in the form of Small Movements for a Big Harp, written with the much-appreciated input of Shana Norton. So on to the next thing…but first, some background:
The above video is Roy Acuff singing “The Great Speckled Bird.” It’s fairly standard country-gospel, and the tune is quite simple. “The Great Speckled Bird” also happens to be my father’s favorite song.
I’m not going to lie: My father and I are very different people. It’s not always been an easy relationship, for either of us. At this point in our lives, I doubt there is anything either of us could say that would change the other’s mind on a point of disagreement – and there are plenty of points of disagreement. (Most kids nearly come to blows with their fathers over issues of a car, or of money, or of respect; the only time I nearly swung at the old man was during a “discussion” about whether Lt. Col. Oliver North was a hero who deserved the thanks and praise of a grateful nation or a traitor who should face the proscribed punishment for treason swiftly and certainly. Guess which side I was on!)
I don’t want Dad to stop being cantankerous, conservative, and stuck in his ways. It’s part of his charm at this point, and he’s nearly 79. He’s earned the right to be darn well whatever he wants to be, and we’ll love him and respect his choices no matter what. But in recent years, as we’ve both aged, I would like to think we’re at a point where none of that matters anymore. So, while I can, I want to do something nice for him.
Let’s connect the two threads: I want to write something for an instrument that will make me grow as a composer, and I want to honor my father in some way.
Re-enter “The Great Speckled Bird.”
I have decided to write a set of variations on “The Great Speckled Bird” for solo guitar. I’ll be working with Jim Flegel, our guitar professor, and hopefully I can get it performed at some point in the next year. When it’s all said and done, I want to get a nice bound copy of the score and a good clean recording, and give them to Dad. He built a home, a business, a farm, a family, a church, and he did it all without complaint. He deserves a little gratitude from his youngest son.
So watch this space and my Facebook page for updates on the piece.
So’s the missus and I are at the Perkins restaurant in Alexandria, MN for a post-movie dinner (the movie was Gravity; short review: SEE THIS MOVIE ON THE LARGEST SCREEN POSSIBLE), and I check Facebook and see this message:
“Do you know what’s fun? Casting your opera is fun.”
I haven’t stopped smiling. Bedtime Story, my Very Short Opera, is going to be performed by North American New Opera Workshop, probably in late March 2014.