Welp, it’s been a summer.
I mentioned a “family health” thing a couple of posts ago. On June 17, exactly one year after we lost my mother, my mother-in-law Lauretta Beck Philhower died. She was only 71, and her loss has been a gut punch. Lauretta was a kind soul with a great laugh and a love of good music. We miss her terribly.
Then there was some reshuffling at work, and now I find myself running the assessment program for the entire institution. That’s fine. My predecessor did a bang-up job of creating mechanisms, so all I need to do for right now is top off the fluids and keep the tires inflated. This does move me into an even-larger administrative role. Be careful what you wish for, kids.
Also, I’m recovering, as the Covid finally caught me last week. Made it 2 1/2 years. Since I’m double-vaxxed and boosted, it was just a really bad cold for me. Still, 0/10, would not recommend. This meant I had to bail on playing in my first pit orchestra in nearly two decades. My guess is, the mute changes were so involved they wore me out, which weakened my immune system.
Long story short, the opera isn’t done yet. That’s OK. I have no performances scheduled. I hope to get back to work on it some this week. I can tell you that Acts I and III are finished, and if I’m being honest, the ending is beautiful – everything I would want. This is primarily due to Dave Cole’s libretto, but I’m going to allow myself a little brag and say the music is awesome as well.
The Australian performance of Triple Double had to be postponed for one month, but it happened last week. You can watch it here – it’s the second piece on the program, but do watch the whole thing, as Kara Williams and her accomplices play a variety of excellent pieces by a variety of excellent composers. This performance is easily one of the top three performances of my music in terms of quality. I was honored and humbled to sit in my living room Wednesday night and listen. My beloved, not one for effusive praise, said, “that was really good.” Check it out.
I have started opening some channels for a performance opportunity (well, the playing of a recording) that would be out of this world. More on that if it develops into something. Suffice it to say that growing up in Pinhook, Indiana (pop. 19) you don’t expect to hear your music at essentially the Antipodes of Pinhook. So once I’ve been heard in Australia, what else is there? (I’m still working on Asia, Africa, South America, and yes, even Antarctica.)
Also, I saw Antipodes of Pinhook at H.O.R.D.E. in 1996.
Thank you all for coming on this journey with me. Let’s see what’s next together.