The Rocky Horror research moved forward substantially today – not in actual words written, but in how it needed to be shaped. It looks like I’ll be examining Frank N. Furter as a simulacrum of traditional gender roles. The nice thing is, I can apply the same analysis to the evolution of Brad and Janet over the course of the show. Preliminary research is showing that there are some musical ways to show this, above and beyond the recognized affectations of rock music vis-a-vis tonality as shown in the works of Walt Everett and others. I can still incorporate the “othering” aspect from queer theory, but I’m really thinking the simulacrum is the way to go.

It feels good to pull this back from the brink and salvage the research. The more stuff I can put out there, the better my tenure case.